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How fabric is interwoven with heritage and livelihoods in rural India.
Emma Harris, designer and PhD candidate in Material Science, reflects on the thoughtful, sensory and meditative bonds we create through circular embroidery design.
Mother and daughter artists Jeanette and Ellie Orrell on finding creativity and connection through indigo.
Woodworker James Torble on playful experimentation, happy accidents and crafting characterful furniture.
Kit + Clogs founder Sacha Schwartz on making shoes with longevity.
An exploration of colour, nature and nature dyes with mother and daughter duo Slow and Sow.
Artist Anna Rubin on creating delicate forms that connect us to nature and the invisible.
We talk to contemporary chandlers Lola Lely and Yesenia Thibault-Picazo of Wax Atelier.
Meeting the Repair specialists stitching new stories into our community’s cherished garments.
Potter Emma Szkolar of SZ Ceramics on accentuating imperfections in her craft.
Jeweller Emily Nixon on exploring and subverting the Mitsuro Hikime technique.
From a studio in east London, Kate Sheridan has been designing leather accessories for nearly 25 years.
Juliet Bailey and Franki Brewer, textile designers and founders of The Bristol Weaving Mill, on the building blocks of contemporary textiles.
Potter, painter and musician Ben Hall on hand-carving, self-guided learning, and relics of the process.
How this rural craft cooperative provides opportunities for women artisans.
Hugo Macdonald visits the Dundee mill, tracing its industrious tradition.
Designer and painter Hattie Eavis shares three unique designs using our Hand Carved Block Printing Kits.
We meet the mother and son team behind the Dorset-based wellness company Yellow Gorse.
Ceramicist PPP Lab on intuitive making, Henry Moore, and the shifting functionality of ceramics across cultures.
The installations are inspired by our concept, Celestial Celebrations, made using festive ornaments, seasonal foliage, and repurposed fabric.
The Sheffield-based artist on an outside perspective, the personality of objects, and the comfort of stories.
From oak gates to community projects, Davies-Hughes & Sons’ woodworking practice is shaped by the landscapes of Wales.
How Uruguay’s cultural heritage has shaped the creation of this piece.
The self-taught maker on learning to listen to her material and leaving space for exploration.
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